VALUE IN COMPOSITIONS: from yesterday to the present

Yesterday, I was listening to Donny Hathaway’s CD. Some of the songs he sang are titled ‘Yesterday’ and ‘Superwoman’. None of them are his compositions but the way he sang them was as if he was the one that composed them. Through the songs, he represented his soul and shared it with his audience. Just when you think that a song you like can never be performed any better, another performer personalizes it and gives it a new feeling and interpretation that makes one fall in love with the song and the performer all over again. This is one of the reasons why I love music and the creativity involved in its spiritual dimension. I am so greatful for recieving my stipend from the National Lottery because it empowered me to support musicians and take care of some family obligations. After hearing Donny Hathaway's version of superwoman, I was sold! I did not even bother listening any further.

Donny Hathaway just captures you emotionally because he is one with the song. He sounds so sincere and although in the live recording, the audience is screaming (because of the emotions the performance evokes out of them) at various points of his performance, he is just not distracted. It is as if he is in a state of a trance because he is intensely focused in communicating what this song has to say. I believe that he gracefully carry’s his audience’s soul using his velvety, warm voice. His band supports his mission so simplistically, with technical brilliance, and yet so emotionally effective.

This makes me realize just how far I am in my Afrikaans Music Study because the ethnomusicologist has to internalize the music in order to understand the creator’s point of view. I still have to overcome the language barrier. I guess I should be more patient with myself.

Reflecting back on the music industry, as I read the headlines on the Music Industry Online magazine a few minutes ago, I came across the Composers’ Association of South Africa’s (CASA’s) announcement about the General Meeting they are holding for composers that is taking place on the 16th of July 2008. I then explored their website and came across the Quest Worldwide Production Music. I am so thankful for such international organizations that publish composers’ music to film, television and radio media worldwide. I am aware that SENA (SAMRO Endowment for the National Arts) is looking at scanning and digitizing music scores in its goal to promote the use of the Southern African music archives. I wonder what strategy the SAMRO archive is looking at regarding promoting the reproduction of the music in the archives so that it is at an internationally accepted level. The reproduction of this music may increase the scope of the use of background music for the international market. This may further increase our audience and force a lot of South African musicians to increase their standard of performance.